The Claw of the Conciliator botns-2 Page 21

  SECOND SOLDIER: Your legs are longer than the other woman’s, but I’ve seen that you don’t move so readily on them. Indeed, I think that you can scarcely stand.

  JAHI: No more can I.

  SECOND SOLDIER: I’ll hold your necklace — the chain looks stout enough. If that’s sufficient, show me what you can do. If it’s not, come with me. You’ll be no freer while I have you.

  JAHI raises both hands, with the little fingers, index fingers, and thumbs extended. For a moment there is silence, then a strange, soft music filled with trillings. Snow falls in gentle flakes.

  SECOND SOLDIER: Stop that!

  He seizes one arm and jerks it down. The music stops abruptly. A few last snowflakes settle on his head.

  SECOND SOLDIER: That was not gold.

  JAHI: Yet you saw.

  SECOND SOLDIER: There’s an old woman in my home village who can work the weather too. She’s not as quick as you, I admit, but then she’s a lot older, and feeble.

  JAHI: Whoever she may be, she is not a thousandth part as old as I.

  Enter the STATUE, moving slowly and as though blind.

  JAHI: What is that thing?

  SECOND SOLDIER: One of Father Inire’s little pets. It can’t hear you or make a sound. I’m not even sure it’s alive.

  JAHI: Why, neither am I, for all of that.

  As the STATUE passes near her, she strokes its cheek with her free hand.

  JAHI: Lover… lover… lover. Have you no greeting for me?

  STATUE: E-e-e-y!

  SECOND SOLDIER: What’s this? Stop! Woman, you said you had no power while I held you.

  JAHI: Behold my slave. Can you fight him? Go ahead — break your spear on that broad chest.

  The STATUE kneels and kisses JAHI’S foot.

  SECOND SOLDIER: No, but I can outrun him.

  He throws JAHI across his shoulder and runs. The door in the hill opens. He enters, and it slams shut behind him. The STATUE hammers it with mighty blows, but it does not yield. Tears stream down his face. At last he turns away and begins to dig with his hands.

  GABRIEL: (Offstage.) Thus stone images keep faith with a departed day, Alone in the desert when man has fled away.

  As the STATUE continues to dig, the stage grows dark. When the lights come up again, the AUTARCH is seated on his throne. He is alone on stage, but silhouettes projected on screens to either side of him indicate that he is surrounded by his court.

  AUTARCH: Here I sit as though the lord of a hundred worlds. Yet not master even of this.

  The tramp of marching men is heard offstage. There is a shouted order.

  AUTARCH: Generalissimo!

  Enter a PROPHET. He wears a goat skin and carries a staff whose head has been crudely carved into a strange symbol.

  PROPHET: A hundred portents are abroad. At Incusus, a calf was dropped that had no head, but mouths in its knees. A woman of known propriety has dreamed she is with child by a dog, last night a shower of stars fell hissing onto the southern ice, and prophets walk abroad in the land.

  AUTARCH: You yourself are a prophet.

  PROPHET: The Autarch himself has seen them!

  AUTARCH: My archivist, who is most learned in the history of this spot, once informed me that over a hundred prophets have been slain here — stoned, burned, torn by beasts, and drowned. Some have even been nailed like vermin to our doors. Now I would learn of you something of the coming of the New Sun, so long prophesied. How is it to come about? What does it mean? Speak, or we shall give the old archivist another mark for his tally, and train the pale moonflower to climb that staff.

  PROPHET: I despair of satisfying you, but I shall attempt it.

  AUTARCH: Do you not know?

  PROPHET: I know. But I know you for a practical man, concerned with the affairs of this universe alone, who seldom looks higher than the stars.

  AUTARCH: For thirty years I have prided myself on that.

  PROPHET: Yet even you must know that cancer eats the heart of the old sun. At its center, matter falls in upon itself, as though there were there a pit without bottom, whose top surrounds it.

  AUTARCH: My astronomers have long told me so.

  PROPHET: Think on an apple rotten from the bud. Fair still without, until it collapses into foulness at last.

  AUTARCH: Every man who finds himself still strong in the latter half of life has thought on that fruit.

  PROPHET: So much then for the old sun. But what of its cancer? What know we of that, save that it deprives Urth of heat and light, and at last of life?

  Sounds of struggle are heard offstage. There is a scream of pain, and a crash as though a large vase had been knocked from its pedestal.

  AUTARCH: We will learn what that commotion is soon enough, Prophet. Continue.

  PROPHET: We know it to be far more, for it is a discontinuity in our universe, a rent in its fabric bound by no law we know. From it nothing comes — all enters in, nought escapes. Yet from it anything may appear, for it alone of all the things we know is no slave to its own nature.

  Enter NOD, bleeding, prodded by pikes held offstage.

  AUTARCH: What is this miscreation?

  PROPHET: The very proof of those portents I spoke to you. In future times, so it has long been said, the death of the old sun will destroy Urth. But from its grave will rise monsters, a new people, and the New Sun. Old Urth will flower then as a butterfly from its dry husk, and the New Urth shall be called Ushas.

  AUTARCH: Yet all we know will be swept aside? This ancient house in which we stand? Yourself? Me?

  NOD: I have no wisdom. Yet I heard a wise man — soon to be a relative of marriage — say not long ago that all that is for the best. We are but dreams, and dreams possess no life by their own right. See, I am wounded. (Holds out his hand.) When my wound heals, it will be gone. Should it with its bloody lips say it is sorry to heal? I am only trying to explain what another said, but that is what I think he meant.

  Deep bells toll offstage.

  AUTARCH: What’s that? You, Prophet, go and see who’s ordered that clamor, and why.

  Exit PROPHET.

  NOD: I feel sure your bells have begun the welcome of the New Sun. It is what I came to do myself. It is our custom, when an honored guest arrives, to roar and beat our chests, and pound the ground and the trunks of trees all about with gladness, and lift the greatest rocks we can, and send them down the gorges in honor of him. I will do that this morning, if you will set me free, and I feel sure Urth herself will join me. The very mountains will leap into the sea when the New Sun rises up today.

  AUTARCH: And from where did you come? Tell me, and I’ll release you.

  NOD: Why, from my own country, to the east of Paradise.

  AUTARCH: And where is that?

  NOD points to the east.

  AUTARCH: And where is Paradise? In the same direction?

  NOD: Why, this is Paradise — we are in Paradise, or at least under it.

  Enter the GENERALISSIMO, who marches to the throne and salutes.

  GENERALISSIMO: Autarch, we have searched all the land above this House Absolute, as you ordered. The Contessa Carina has been found, and, her injuries not being serious, escorted to her apartments. We have also found the colossus you see before you, the bejeweled woman you described, and two merchants.

  AUTARCH: What of the other two, the naked man and his wife?

  GENERALISSIMO: There is no trace of them.

  AUTARCH: Repeat your search, and this time look well.

  GENERALISSIMO: (Salutes.) As my Autarch wills.

  AUTARCH: And have the jeweled woman sent to me.

  NOD begins to walk offstage, but is stopped by pikes. The GENERALISSIMO draws his pistol.

  NOD: Am I not free to leave?

  GENERALISSIMO: By no means!

  NOD: (To AUTARCH.) I told you where my country lies. Just east of here.

  GENERALISSIMO: More than your country lies. I know that area well.

  AUTARCH: (Fatigued.) He has told the t
ruth as he knows it. Perhaps the only truth there is.

  NOD: Then I am free to go.

  AUTARCH: I think that he whom you came to welcome will arrive whether you are free or not. Yet there is a chance — and such creatures as you cannot be allowed to roam abroad in any case. No, you are not free, nor ever again will be.

  NOD rushes from the stage, pursued by the GENERALISSIMO. Shots, screams, and crashes. The figures around the AUTARCH fade. In the midst of the uproar, the bells toll again. NOD reenters with a laser burn across one cheek. The AUTARCH strikes him with his scepter; each blow produces an explosion and a burst of sparks. NOD seizes the AUTARCH and is about to dash him to the stage when two DEMONS disguised as merchants enter, throw him down, and restore the AUTARCH to his throne.

  AUTARCH: Thank you. You will be richly rewarded. I had given up hope of being rescued by my guards, and I see I thought rightly. May I ask who you are?

  FIRST DEMON: Your guards are dead. That giant has smashed their skulls against your walls and broken their spines upon his knees.

  SECOND DEMON: We are two traders merely. Your soldiers took us up.

  AUTARCH: Would that they were traders, and in their places I had such soldiers as you! And yet, you are in appearance so slight I would think you incapable of even ordinary strength.

  FIRST DEMON: (Bowing.) Our strength is inspired by the master we serve.

  SECOND DEMON: You will wonder why we — two commonplace traders in slaves — should have been found wandering your grounds by night. The fact is that we came to warn you. Our travels but lately took us to the northern jungles, and there, in a temple older than man, a shrine overgrown with rank vegetation until it seemed hardly more than a leafy mound, we spoke to an ancient shaman who foretold great peril to your realm.

  FIRST DEMON: With that intelligence we hastened here to give you the alarm before it should be too late, arriving at the very wince of time.

  AUTARCH: What must I do?

  SECOND DEMON: This world that you and we treasure has now been driven round the sun so often that the warp and woof of its space grow threadbare and fall as dust and feeble lint from the loom of time.

  FIRST DEMON: The continents themselves are old as raddled women, long since stripped of beauty and fertility. The New Sun comes—

  AUTARCH: I know!

  FIRST DEMON: — and he will send them crashing into the sea like foundered ships.

  SECOND DEMON: And from the sea lift new — glittering with gold, silver, iron, and copper. With diamonds, rubies, and turquoises, lands wallowing in the soil of a million millennia, so long ago washed down to the sea.

  FIRST DEMON: To people these lands, a new race is prepared. The humankind you know will be shouldered aside even as the grass, that has prospered on the plain so long, yields to the plow and so gives way to wheat.

  SECOND DEMON: But what if the seed were burned? What then? The tall man and the slight woman you met not long ago are such seed. Once it was hoped that it might be poisoned in the field, but she who was dispatched to accomplish it has lost sight of the seed now among the dead grass and broken clods, and for a few sleights of hand has been handed over to your Inquisitor for strict examination. Yet the seed might be burned still.

  AUTARCH: The thought you suggest has already passed through my own mind.

  FIRST SECOND DEMON: (In chorus.) Of course!

  AUTARCH: But would the death of those two truly halt the coming of the New Sun?

  FIRST DEMON: No. But would you wish it? The new lands shall be yours.

  The screens grow radiant. Wooded hills and cities of spires appear. The AUTARCH turns to face them. There is a pause. He draws a communicator from his robes.

  AUTARCH: May never the New Sun see what we do here… Ships! Sweep over us with flame till all is sere.

  As the two DEMONS vanish, NOD sits up. The cities and hills fade, and the screens show the image of the AUTARCH multiplied many times. The stage goes dark.

  When the lights go up again, the INQUISITOR sits at a high desk in the center of the stage. His FAMILIAR, dressed as a torturer and masked, stands beside the desk. To either side are various instruments of torment.

  INQUISITOR: Bring in the woman said to be a witch, Brother.

  FAMILIAR: The Contessa waits outside, and as she is of exalted blood, and a favorite of our sovereign’s, I beg you see her first.

  Enter the CONTESSA.

  CONTESSA: I heard what was said, and as I could not think you would be deaf, Inquisitor, to such an appeal, I have made bold to come in at once. Do you think me bold for that?

  INQUISITOR: You toy with words. But yes, I own I do.

  CONTESSA: Then you think wrongly. Eight years since my girlhood have I abode in this House Absolute. When first the blood seeped from out my loins and my mother brought me here, she warned me never to come near these apartments of yours, where the blood has trickled from so many, caring nothing for the phases of the fickle moon. And never have I come till now, and now, trembling.

  INQUISITOR: Here the good need have no fear. Yet even so, I think you grown bold by your own testimony.

  CONTESSA: And am I good? Are you? Is he? My confessor would tell you I am not. What does yours tell you, or is he in fear? And is your familiar a better man than you?

  FAMILIAR: I would not wish to be.

  CONTESSA: No, I am not bold — nor safe here, as I know. It is fear that drives me to these grim chambers. They have told you of the naked man who struck me. Has he been taken?

  INQUISITOR: He has not been brought before me.

  CONTESSA: Scarcely a watch ago some soldiers found me moaning in the garden, where my maid sought to comfort me. Because I feared to be outside by dark, they carried me to my own suite by way of that gallery called the Road of Air. Do you know it?

  INQUISITOR: Well.

  CONTESSA: Then you know too that it is everywhere overhung with windows, so that all the chambers and corridors that abut on it may receive the benefit. As we passed by, I saw in one the figure of a man, tall and clean-limbed, wide of shoulder and slender of waist.

  INQUISITOR: There are many such men.

  CONTESSA: So I thought. But in a little time, the same figure appeared in another window — and another. Then I appealed to the soldiers who carried me to fire upon it. They thought me mad and would not, but the party they sent to take that man returned with empty hands. Still he looked at me through the windows, and appeared to sway.

  INQUISITOR: And you believe this man you saw to be the man who struck you?

  CONTESSA: Worse. I fear it was not he, though it resembled him. Besides, he would be kind to me, I am sure, if only I treated his madness with respect. No, on this strange night, when we, who are the winter-killed stalks of man’s old sprouting, find ourselves so mixed with next year’s seed, I fear that he is something more we do not know.

  INQUISITOR: That may be so, but you will not find him here, nor the man who struck you. (To his FAMILIAR:) Bring in the witch-woman, Brother.

  FAMILIAR: Such are they all — though some are worse than others.

  He exits and returns leading MESCHIANE by a chain.

  INQUISITOR: It is alleged against you that you so charmed seven of the soldiers of our sovereign the Autarch that they betrayed their oath and turned their weapons upon their comrades and their officers. (He rises, and lights a large candle at one side of his desk.) I now most solemnly adjure you to confess this sin, and if you have so sinned, what power aided you to accomplish it, and the names of those who taught you to call upon that power.

  MESCHIANE: The soldiers only saw I meant no harm, and were afraid for me. I—

  FAMILIAR: Silence!

  INQUISITOR: No weight is given to the protestations of the accused unless they are made under duress. My familiar will prepare you.

  FAMILIAR seizes MESCHIANE and straps her into one of the contrivances.

  CONTESSA: With so little time left to the world, I shall not waste it in watching this. Are you a friend to the n
aked man of the garden? I am going to seek him, and I will tell him what has become of you.

  MESCHIANE: Oh, do! I hope that he will come before it is too late.

  CONTESSA: And I hope he will accept me, in your stead. No doubt both hopes are equally forlorn, and we shall soon be sisters in despair.

  Exit the CONTESSA.

  INQUISITOR: I go too, to speak to those that were her rescuers. Prepare the subject, for I shall return shortly.

  FAMILIAR: There is another, Inquisitor. Of similar crimes, but less, perhaps, in potency.

  INQUISITOR: Why did you not tell me? I might have instructed both together. Bring her in.

  FAMILIAR exits and returns leading JAHI. The INQUISITOR searches among the papers on his desk.

  INQUISITOR: It is alleged against you that you so charmed seven of the soldiers of our sovereign the Autarch that they betrayed their oath and turned their weapons upon their comrades and their officers. I now most solemnly adjure you to confess this sin, and if you have so sinned, what power aided you to accomplish it, and the names of those who taught you to call upon that power.

  JAHI: (Proudly.) I have done all you accuse me of and more than you know. The power I dare not name lest this upholstered rat-hole be blasted to bits. Who taught me? Who teaches a child to call upon her father?

  FAMILIAR: Her mother?

  INQUISITOR: I would not know. Prepare her. I shall return soon.

  Exit the INQUISITOR.

  MESCHIANE: They fought for you too? How sad that so many had to die!

  FAMILIAR: (Locking JAHI in a contrivance on the other side of the desk.) He had your paper again. I’ll point his error out to him diplomatically, you may be sure — when he comes back.

  JAHI: You charmed the soldiers? Then charm this fool, and free us.

  MESCHIANE: I have no chant of power, and I charmed but seven of fifty.

  Enter NOD, bound, driven by FIRST SOLDIER with a pike.

  FAMILIAR: What’s this?

  FIRST SOLDIER: Why, such a prisoner as you’ve never had before. He’s killed a hundred men as we might puppies. Have you shackles big enough for him?

  FAMILIAR: I’ll have to link several pairs together, but I’ll contrive something.